LONG VERSION:
Duncan Wilder Johnson is a metal head with a punk rock heart. As a musician, a writer, a monologist, a photographer, a graphic designer, and a "dude who puts on shows", Duncan has been honing his workaholic tendencies since 1995.
After graduating high school in Central Massachusetts, Duncan began giving spoken word performances at The Espresso Bar in Worcester, MA. His then defunct band, After The Fact, played there a few times and Duncan hit the open mic that the venue hosted. Reading journal entries, bad teenage poems, and telling stories that hinged between stand-up comedy and rant-driven barks about pop culture, Duncan settled into this new monologue "thing" rather than start a new band.
In September of 1995 Duncan attended Massachusetts College of Art. There, he majored in Photography and The Studio for Interrelated Media (SIM). In SIM, he continued to deliver spoken word performances. He teamed up with Clay Fernald, Rich Mackin, and Antony Flackett and the 4 co-released a CD titled "On Tour Without a Band: Spoken Word from Boston, MA" in 1998. That same year they opened for legendary punk icon Jim Carroll (author of The Basketball Diaries).
In 1999, Rich, Clay, and Duncan embarked on a one-week trek from Boston to various towns in the Mid West, doing spoken word. After graduating that May, Duncan received a call to open for Jello Biafra's spoken word show (lead singer of The Dead Kennedy's) at The Vic Theater in Chicago.
In 2000, Duncan was signed to Boston based Wonderdrug Records. Wonderdrug had released some of Duncan's favorite music over the years: Sam Black Church, Scissorfight, Honkeyball, 6L6, and Stompbox to name a few. So, he was pretty psyched to be included in the roster. Wonderdrug released "Heavy Metal Spoken Word" that spring and Duncan and Rich Mackin did a two week tour of the East Coast and Mid-West.
Upon returning from a few shows in California in the summer of 2000, Duncan was officially hired by Wonderdrug to do promotion, web design, graphic design, band booking, and whatever the hell else needed to be done. He also had a new roommate, Nate Linehan. Nate and Duncan started playing music in the basement. At first, all the songs were joke-ish: "Nipplekabob", "Screaming Penis Eats The Corpse", and "Dude, Fuckin' War, Man..." They employed Nate's older brother Sean Linehan to play bass. This girl whom Nate grew up with, Michele Morgan, lived around the corner and Nate swore that she could play Metallica songs. So, Michele was asked to come down and fill out the sound. After seeing an advertisement for a weekend of Battlebots episodes on Comedy Central called "Destruct-a-thon", Nate and Duncan laughed their asses off, simultaneously pointed at the television screen and said, "That's it! That's what we're going to call this thing."
In 2001, Wonderdrug released "Duncan Wilder Johnson / Destruct-a-thon" (aka The Orange CD) to mixed reviews. While most people dug the spoken word, which was pretty tight and established at this point, most of the music was panned. However, the 4 enjoyed playing together and as time passed, they ceased to write comedy and began to write real metal with healthy nods to classic hardcore and stoner rock.
In 2001 and 2002, Duncan worked closely with Marky Ramone, drummer of the world famous punk band The Ramones. The two played a handful of spoken word events at colleges in the U.S. Around the same time he also opened up for Lydia Lunch, Angelo Moore from Fishbone, and another couple of shows with Jim Carroll.
From 2001 to 2004 Duncan continued to do spoken word and Destruct-a-thon played around New England, NYC, and even one show in Philly. The quartet was hailed as having one of the best live shows in the Northeast and opened for acts including The Dillinger Escape Plan, The Bronx, Tree, Seemless, and Cracktorch. The band wrote and recorded in two different sessions at New Alliance and rotated a cast of players including Eric O'Brien (drums), Eman Pacheco (drums), and Ed Bredenberg (bass).
In the fall of 2004, Destruct-a-thon broke up. Too many shitty shows, no pay, and little sleep left the band exhausted and the uphill battle took a cease-fire. While Duncan still gave speaking performances, he started a new music project with drummer Eman Pacheco. Heavy and brutal, but more intricate than Destruct-a-thon, the two called the band Kill It All Away. They played a hand-full of shows in New England and recorded a 5 song EP at New Alliance with Tim Waltner. Kill It All Away eventually ran out of steam.
In 2006, Duncan released "Workaholica", a 3 disc box set of 5 years worth of recordings. Disc 1 was Destruct-a-thon's full length "Es Muerto". Disc 2 was the Kill It All Away EP. Disc 3 was Duncan's 4th live speaking record, "Duncan Wilder Johnson Has A Short Guy Complex". With the release of "Workaholica", Destruct-a-thon reunited as Duncan on vocals, Michele Morgan on guitar, Ed Bredenberg on guitar, Sean Linehan on bass, and Eric "Jungblood" O'Brien on drums. At first, the quintet only planned on doing a few shows here and there to promote the newly released material. Yet, after seeing that more people were showing up to the shows, that the music was pretty damn good, and most importantly that they were having fun again, the band decided to "be a band" again.
In 2007, Duncan gave his first speaking/reading performances outside of the United States, playing 3 shows in England, 1 show in Scotland, and a final show in Dublin, Ireland.
In 2008, Duncan performed spoken word in the Chicago area, Austin, TX, and did a two week stint on The Altercation Punk Rock Stand-Up Comedy Tour with JT Habersaat, Ruby Collins, Richie Stratton, and Chris Cubas.
2008 also saw the release of the Destruct-a-thon "Aloha Jihad" EP and Destruct-a-thon's first real tour of the East Coast US.
At the time of this writing, Duncan still performs as a spoken word artist. He's making photographs for a new project called "Hot Bitches", and occasionally DJs with Ken Cmar (Wonderdrug Records) as "Wondertwins Activate!" in the Boston area. He also completed work on a book of essays, journal entries, and stories titled "Dude, Your Band Sucks".
Destruct-a-thon disbanded in the fall of 2009.
When not working, Duncan listens to classic Motorhead on vinyl and samples the beers of the world.